Many previous Nigerian epics had scanty crowds, or CGI (computer-generated image) that does not work, but Agesinkole has a lot of extras that provide the right atmosphere. And the CGI is outstanding. Solid, but sadly the results dont exactly blow the. A major challenge that an epic movie could have is using the appropriate crowd to provide the energy. An old-school film about an old-school crime that brings together an impressive array of British legends. We need to see more of this synergy in the industry. A cast of heavyweights fails to animate James Marsh’s staid retelling of the 2015 Hatton Garden heist. The movie has a lot of Yoruba Nollywood lead actors in supporting roles, and you can see the synergy that has been built over the years. King of Thieves review old lags and old jokes. Odunlade Adekola is regal as Kabiyesi, and his authority is unquestionable. Toyin Abraham is the female lead, and straight from her first scene, we know who she is, and she does not let up till the end. As the lead character, Femi Adebayo is a beauty to watch in his role. King of Thieves has excellent casting and every character carries their end of the movie, giving a beautiful tapestry that is Agesinkole. One of the major decisions that makes or mars a movie is the casting. The story is told in short scenes, and every scene adds up to the whole, there is no repetition of the story in multiple scenes, just acting that adds up to the whole. Take four very senior retired crooks, add one eager newcomer, mix together gold, money, and diamonds and you have King of. The crooks are staging their robbery not just because several of them are in dire financial straits but because they can’t bear the idea of their own increasing irrelevance.Yoruba language is a language of proverbs and word play, warriors joust with words, before they unsheathe swords, Agesinkole has memorable word play and verbal jousting that makes you fall in love with the language all over again. On one level, this is another film about the dying of the light. Throughout the film, Marsh throws in subliminal references to the swinging Sixties and to the illustrious pasts of actors like Caine and Courtenay. From the off with its generically jazzy score and slick opening credits, the film comes across as a British Ocean’s Oldies. King of Thieves needs more, and it doesn’t deliver. They try to bully him and to muscle him out of his share of the loot but he is a shadowy figure who, it is implied, may have been manipulating the old geezers all along. Instead, this is a dark, fairly hard-edged drama with moments of bleak comedy mostly centred on the disintegration of a criminal crew, and and exploration of. King of Thieves has an irritating notion that because it has Michael Caine and Ray Winstone doing the cockney thing, that makes the movie worth seeing. They mock him in homophobic language because he takes the care to wear a disguise. The old-timers are relentlessly patronising towards their young accomplice, Basil (Charlie Cox). Saban Films There's a charming little subset of heist films about elderly men pulling off bank jobs, often out of boredom, and the authorities struggling to reconcile these crafty old geezers with. Arguably the most sympathetic of the motley crew is the hapless Carl Wood (Paul Whitehouse), who would far rather be tending his allotment than committing robbery. When the gang finally make it through the hole in the wall to the safety deposit boxes, he lets out a huge, primal, I’m-the-daddy-now style roar. Winstone gets one of the best and most chilling moments in the film. He stands on his head and performs stunts to get people to pay attention to him but we are left in no doubt that he is a vicious thug with a huge chip on his shoulder. Ray Winstone’s Danny is (as Reader calls him) a “shagger”.
0 Comments
Leave a Reply. |